Saturday Night at Chess Cinemas

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From Wikipedia:

The Spanish Prisoner is a confidence trick originating in the late 19th century.^[1] In its original form, the con-man tells his victim (the mark) that he is in correspondence with a wealthy person of high estate who has been imprisoned in Spain under a false identity. Supposedly the prisoner cannot reveal his identity without serious repercussions, and is relying on a friend (the confidence trickster) to raise money to secure his release. The confidence trickster offers to let the mark put up some of the funds, with a promise that he will be financially rewarded when the prisoner returns, and perhaps also by gaining the hand of a beautiful woman represented to be the prisoner’s daughter. After the mark has turned over the funds, he is informed that further difficulties have arisen and more money is needed. With such explanations, the trickster continues to press for more money until the victim is cleaned out or declines to put up more funds.

The Spanish Prisoner (1997) also happens to be wildly under-watched film written and directed by the great David Mamet, revolving around a modern-day variation of its namesake con game. The film is much more of an intellectual challenge and adventure than Mamet’s Glengarry Glen Ross (1992)  masterpiece, yet does not sacrifice that unique Mamet dialogue. In a supporting role, Steve Martin hits the high notes to compliment Campbell Scott as the lead. The cast also features some highly accomplished New York stage and character actors.

I believe the film was unfairly snubbed in 1997 by not being nominated for any major awards, especially Mamet for Best Original Screenplay. To add salt in the wounds, Titanic made a mockery of the Academy Awards that year as the Best Picture Oscar winner.

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